In my opinion, AAS’ Lounge Lizard EP-4 is the plugin I hold in highest regard. More specifically, the classic Rhodes piano! I’ve tried a number of demos for VSTs that are modelled to emulate the classic Rhodes sound. XLN’s proprietary Flux Engine imparts subtle (or not) fluctuations and instability to all the effects modules, delivering retro analog vibe, warmth, and character.Īs I’ve stated in a prior post, the piano is the ultimate lofi tool in my opinion. Its chorus and space FX will make your guitar soar, and its filtering FX are perfect for contemporary club tracks. Pining for the sound of vinyl or VHS? RC-20 does that, too. Organized as six modules - Noise, Wobble, Distortion, Digital, Space, and Magnetic - RC-20 Retro Color delivers crunchy, raw distortion and bit reduction that adds grit to kick drums and bass. XLN Audio’s RC-20 Retro Color Plug-in supplies you with a huge palette of vintage coloration effects that add texture and life to sterile recordings, enhancing your productions with the warm, inviting, compelling sound of vintage gear. Official XLN Audio RC-20 Retro Color Description I only recently purchased RC-20 on Sweetwater (available here) during the Black Friday sale, and while I’m just beginning to get my hands dirty with it, I’m extremely pleased this far. RC-20 excels in its ability to give an analog-modelled warmth (along with countless other) to any sound you put through the plugin. Over the last 12 or so months it’s become a staple, go-to plugin within the production community. You either were amazed by the functionality of RC-20 or had no idea it exists, there was really no in-between. Ultra Analog Session will match your playing style or musical context with ease thanks to the tap tempo and sync to host clock options poly- or monophonic with note priority keyboard modes up-to-4-voice unison glide and legato functions and the flexible vibrato.ġ44 presets distributed in the arpeggio, bass, lead, pad and polysynth categories.XLN Audio’s RC-20 was a best kept secret in the producer community for awhile. You’ll love the pure raw sound of Ultra Analog Session, but the built-in effects will bring it to so many places that you’ll enjoy having them on hand.

Ready, willing, and able, Ultra Analog Session's arpeggiator offers various syncing resolutions, playing algorithms, and rhythmic patterns that will spruce up any chord progressions into percolating melodies or pulsing sequences. The container may be small but ultra-analog-session is a really fun to play and packs outstanding sounds.Ī superb sound library with signature presets from producers Richard Devine and Sean Divine.

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